Step into COLORIA's workshop in Suzhou, and you'll hear it before you see it: a steady, rhythmic
thump-thump-thump
. That's the sound of ramming— the heart of the process. Here, artisans (many with decades of experience) turn raw materials into panels, one layer at a time.
The first step is mixing. Soil, sand, binders, and a touch of water are combined in a large, shallow trough. "It's all about consistency," says Zhang Hua, a master rammer with 25 years of experience. He bends down to scoop up a handful of the mix, letting it fall through his fingers. "See? It should clump when squeezed, but crumble easily when pressed. Too wet, and it sags; too dry, and it won't bond."
Once the mix is ready, it's shoveled into wooden molds—rectangular frames that will shape the panel. But this isn't a quick pour-and-set process. The mix is added in 10-centimeter layers, and each layer is compacted with a hand-held rammer. "You have to hit every corner, every edge," Zhang says, demonstrating the motion: a slow lift, a firm strike, a pause to check the density. "Ramming is like playing a drum—you need rhythm. Too hard, and you push the soil out of the mold; too soft, and the panel weakens."
After the mold is filled, the panel sits for 48 hours to set. Then it's carefully removed and moved to a curing room, where temperature and humidity are controlled to perfection. "Curing is where patience pays off," Maria explains. "We let it dry slowly—up to 28 days—so the moisture evaporates evenly. Rush it, and you get cracks. Take your time, and you get a panel that'll last 50 years or more."
Quality checks happen at every step: soil testing, mix consistency, ramming density, curing progress. "We even do a 'scratch test' on finished panels," Maria adds. "Take a key and scratch the surface—if it leaves a faint mark, good. If it gouges? Back to the drawing board."